11/9/2022 0 Comments Cassidy split personality zipHeart s influence on Rodgers is not so easy to demonstrate since his efforts came after the writing of the music. More solemn, certainly, than when noting that the lady is a tramp, that the heart is quicker than the eye, or that “it's got to be love-it couldn't be tonsilitis it feels like neuritis, but nevertheless it's love. You cannot write songs about real nice clam bakes, or dream islands like Bali Ha'i, Least of all can you advise the world to “climb ev'ry mountain and ford ev'ry stream,” without putting on airs, or, at least, a solemn mien. By so doing he inevitably helped to determine the nature of hiS partner's music. Unlike Hart he wrote nearly all the lyrics first. Hammerstein's influence on Rodgers is demonstrable. If you compare the songs Rodgers wrote with Hammerstein, you see not merely a difference in manner but fundamental shift in the composer's musical aims, almost a mutation in his creative nature. Yet, even though Rodgers's work preceded Hart's, it's clear that stylistically spealcing Hart was the determinative force. By giving tunes a voice he clarified their nature and made them accessible to everyone. The lyricist, though the less important of the two, was, all the same, a necessary adjunct. In those days the composer was a self‐avowed tunesmith, a craftsman who hadn't yet taken upon his shoulders the responsibility for creating “musical theater.” He just went about the business of dreaming up melodies as attractive or as catchy as possible. He devised a tune and Hart then fitted words to it. So far as we know, Rodgers almost always took the first step. Rodgers's collaboration with Lorenz Hart, which began just after World War I and ended only with Hart's death in 1943, was conventional enough in character. Denied a strong lyricist he has floundered. The numbers Rodgers has written since Hammerstein's death in 1960, either with his own‐lyrics (“No Strings,” “Two By Two”) or with lyrics by Stephen Sondheim (“Do I Hear a Waltz?”) lack individuality. The former is likely to be dominated by intelligence, the latter by sentiment the former by surprise, the latter by reassurance. In actuality, he has been different composer with each of his two principal lyricists.Ī Rodgers and Hart song doesn't bear much resemblance to a Rodgers and Hammerstein song. With different collaborators Rodgers would have been a different composer. It isn't easy to think of another composer of popular music who has been more influenced by the style and sensibility of his song texts. To begin with, it is interesting to note that Rodgers's success as a melodist at the same time a testimony to the importance of his lyricists. And now that the recording industry has joined in by reissuing great quantity of the composer's songs and complete shows, it seems good time to take a laok at his long and successful career-as well as the new recordings. The perpetual freshness of so many of his tunes is demonstrated over and over every day-on the radio, in elevators, in airplanes. It considered the best tracks as "Hotel", "Can I Talk to You" and "Real Talk".THERE cannot he much doubt that Richard Rodgers is one of the great melodists of our time. Its review considered the first third of the album as the disappointing section. #Cassidy split personality zip professionalCritical response Professional ratingsĪllmusic described the album as "a minor disappointment while simultaneously showing promise". The tracks "Take It" and "Make You Scream Pt.2" didn't make the final cut but were released as promotional singles. The promotional video features Vida Guerra. The second single, "Get No Better", featured a contribution from labelmate Mashonda but did not do as well on the singles charts, reaching #82 on the Billboard Hot 100. The song became a hit, reaching the top ten of the Billboard Hot 100 in February 2004 and was nominated for a Vibe Award in the category Coolest Collabo that year. Kelly in Kelly's Chicago studios with a vocal contribution by Kelly and a remix featuring vocals by Trina. Ĭassidy recorded the track and lead single " Hotel", which references the song "Housewife" from Dr. The first part (credited as "Cassidy") reflects his pop side, the second part (credited as "The Problem") is directed to his fans of his mixtapes, and the third (credited to "B. Cassidy recorded the Split Personality album in 2003.
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